Chapters in Books (UNP)
Permanent URI for this collection
Browse
Browsing Chapters in Books (UNP) by Subject "Colonialism"
Now showing 1 - 2 of 2
Results Per Page
Sort Options
Item Colonialism and the development of the contract labour system in Kavango(University of Namibia Press, 2015) Likuwa, Kletus M.The contract labour system in Namibia was a colonial invention and needs to be explored in the context of colonial historiography. Many scholars have written on the contract labour system in Namibia. However, while there is a general understanding of the system, the Kavango as a supplier of contract labour is neglected, as the historiography has largely focused on the supply of labour from the region that was labelled ‘Ovamboland’ (Clarence-Smith and Moorsom, 1977; Cronje and Cronje, 1979; Hishongwa, 1992; Kane Berman, 1972; McKittrick, 1998; Moorsom, 1989; Cooper, 2001). However, the area known today as the regions of Kavango East and Kavango West has a significant role in the history of migrant labour in Namibia and there is an opportunity to reassess the system using a different regional context. Although labour recruitment in the Kavango had been on-going prior to 1925, it was unorganised with limited numbers of recruits collected by colonial officials, and it was only after 1925 that the South African administration finally managed to formalise labour recruitment. The formalisation of the contract labour system in the Kavango occurred with the formation of the Northern Labour Organisation (NLO) and Southern Labour Organisation (SLO) in 1925. These were later amalgamated into the South West Africa Native Labour Association (SWANLA) which recruited labourers from the Kavango and Ovambo in the early 1940s until the collapse of the contract labour system in 1972. Using qualitative research methods to gather and analyse data, this paper employs oral interviews, archival and written sources to explain the encounters of the Kavango population with colonialism and asks why both German (1885-1915) and South African (1915-1989) colonial authorities needed labourers from Kavango, and what strategies the colonial administration used to extract labour.Item Revolutionary songs as a response to colonialism in Namibia(University of Namibia Press, 2015) Mbenzi, Petrus A.Traditional songs in Africa were often used as a weapon against indiscipline in a society (Finnegan, 1970). Transgressors were ridiculed and shamed through singing when boys and girls met for social dancing in an open space (which usually took place in the evening) and vulgar language was hurled against the offender. Misdemeanours and the shameful acts of certain people were also criticized through action songs. On these occasions, the names of ‘alleged’ offenders were mentioned as well as the offences they had committed. These songs were also performed when people did teamwork for threshing, weeding and so forth. During the struggle for independence, the same strategy was applied. Ruth Finnegan (1970, p. 273) argues that it would be a mistake to assume too easily that there is necessarily a complete break in continuity between traditional political poetry and that of modern politics. Songs were used to sensitise the oppressed to their plight and to expose the iniquities of the old regime. The proponents and protagonists of the apartheid system were criticised and Namibians were encouraged to resist oppressive laws. To boost their morale and demonstrate their indefatigable quest for emancipation from the yoke of colonialism, the People’s Liberation Army of Namibia (PLAN) fighters composed various revolutionary songs. With the attainment of independence, the popularity of these songs has dwindled. They are sung on rare occasions and it is feared that some songs may vanish with time if they are not properly recorded and documented to ensure their survival. As a result the historical events inherent in these songs may drift into obscurity. This chapter investigates the functions of revolutionary songs in the Namibian independence struggle and identifies their most important themes. The main aims of the chapter are to highlight the historical value of the songs and gauge their significance during the colonial era.