Radical acting techniques in Zimbabwean street theatre: Implications on audience criticality
| dc.contributor.author | Mangosho, Tatenda | |
| dc.contributor.author | Chivandikwa, Nehemia | |
| dc.contributor.author | Mlenga, Tafadzwa | |
| dc.date.accessioned | 2016-11-15T08:48:16Z | |
| dc.date.available | 2016-11-15T08:48:16Z | |
| dc.date.issued | 2016 | |
| dc.description.abstract | Drawing on Brechtian and traditional African theoretical frameworks, this paper examines nonrealistic acting techniques and fluid manipulation of space in Zimbabwean street theatre as forms of radical innovations in performance aesthetics. Focus is on how these radical innovations are implicated in engendering, sustaining and stimulating an alert and critical audience. | en_US |
| dc.identifier.citation | Mangosho, T., Chivandikwa, N., & Mlenga, T. (2016). Radical acting techniques in Zimbabwean street theatre: Implications on audience criticality. Journal for Studies in Humanities and Social Sciences, 5(2), 37-52. | en_US |
| dc.identifier.issn | 2026-7215 | |
| dc.identifier.uri | http://hdl.handle.net/11070/1904 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Namibia | en_US |
| dc.subject | Radical acting techniques | en_US |
| dc.subject | Audience criticality | en_US |
| dc.title | Radical acting techniques in Zimbabwean street theatre: Implications on audience criticality | en_US |
| dc.type | Article | en_US |