Documenting a creative process: rust as means to create innovative textiles for fashion/art
| dc.contributor.author | Claasen, Chakirra | |
| dc.date.accessioned | 2022-06-28T12:34:43Z | |
| dc.date.available | 2022-06-28T12:34:43Z | |
| dc.date.issued | 2022 | |
| dc.description | A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts (Visual Arts) | |
| dc.description.abstract | This practice-based research follows and documents an individual creative process. Rust was used as a means to create innovative textiles which were used to create a collection of garments and accessories that challenges the dual identity of fashion as art. This research consists of a practical as well as a theoretical component aimed at producing a reference of the creative process for the fashion, textile and art industries in Namibia as there are limited resources and the fashion industry needs to be innovative as well as creative. This study’s creative process was compared to Wallas’ four stages of creativity that includes preparation, incubation, illumination and verification. Wallas’ theory was also compared to other existing theories on creativity. These theories were then compared to this studies documentation of the creative process in order to create a theory that can be applied by Namibian artists and designers from a Namibian perspective. The creative process was documented to highlight the challenges and practice that a designer follows in order to create new and authentic design outcomes. For the practical component, this study followed a creative process that involved textile manipulation and rust dyeing that formed part of a collection of garments and accessories that were exhibited in a gallery as fashion/art. The preparation and production of garments and the exhibition were documented through a series of extensive photographs that in turn formed the data that is discussed in the thesis with regards to the creative process. The research highlights the importance of following a creative process in order to create new and authentic Namibian design identities that have an impact locally as well as abroad even though each creative process can be unique to the individual. | en_US |
| dc.identifier.uri | http://hdl.handle.net/11070/3177 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Namibia | en_US |
| dc.subject | Individual creative process | en_US |
| dc.subject | Innovative arts | en_US |
| dc.subject | Fashion industry | en_US |
| dc.subject | Namibian artists and designers | en_US |
| dc.title | Documenting a creative process: rust as means to create innovative textiles for fashion/art | en_US |
| dc.type | Thesis | en_US |