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dc.contributor.author Mangosho, Tatenda
dc.contributor.author Chivandikwa, Nehemia
dc.contributor.author Mlenga, Tafadzwa
dc.date.accessioned 2016-11-15T08:48:16Z
dc.date.available 2016-11-15T08:48:16Z
dc.date.issued 2016
dc.identifier.citation Mangosho, T., Chivandikwa, N., & Mlenga, T. (2016). Radical acting techniques in Zimbabwean street theatre: Implications on audience criticality. Journal for Studies in Humanities and Social Sciences, 5(2), 37-52. en_US
dc.identifier.issn 2026-7215
dc.identifier.uri http://hdl.handle.net/11070/1904
dc.description.abstract Drawing on Brechtian and traditional African theoretical frameworks, this paper examines nonrealistic acting techniques and fluid manipulation of space in Zimbabwean street theatre as forms of radical innovations in performance aesthetics. Focus is on how these radical innovations are implicated in engendering, sustaining and stimulating an alert and critical audience. en_US
dc.language.iso en en_US
dc.publisher University of Namibia en_US
dc.subject Radical acting techniques en_US
dc.subject Audience criticality en_US
dc.title Radical acting techniques in Zimbabwean street theatre: Implications on audience criticality en_US
dc.type Article en_US


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